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Walking with the Metropolis "Human Being Puzzle', the audio guide provides accurate instructions for visitors.

Newest firm information concerning Walking through the City "Human Being Maze', the audio guide offers precise instructions for site visitors.
In the Egyptian event area of the Metropolitan Museum of Art in New York City, German visitor Anna is standing still before a mummy from the 12th century BC - the tag on the display just mentions "The Casket of Priest Nebmon", but doesn't mention what type of blessing spells are inscribed on the hieroglyphics on the coffin; in the European paint area next door, Japanese couple is looking at Rembrandt's "The Night Watch", not able to identify the "Baroque-style light and darkness" in the painting from the jobs of Rubens throughout the room. The audio guide in the interpreter's voice keeps duplicating just "This is Rembrandt's work of art"; also better away in the Oriental gallery, Middle Eastern tourists are taking images of Ming Empire blue and white porcelain with their phones, yet they can not comprehend the Chinese social icons concealed in "Blue and Green Scroll Pattern", and can just sigh at the tag "Made throughout the regime of Emperor Xuande of the Ming Empire".



As the "ceiling of the globe's galleries" with over 300,000 displays covering 5,000 years of human civilization, the Metropolitan Gallery gets over 7 million overseas visitors each year. However, for these tourists from afar, checking out the Metropolitan Gallery is a lot more like navigating a "cultural maze" - cultural differences across people, the anxiousness of selecting from a large collection of exhibits, and the experience problems in several circumstances. Standard led tours either "talk in a basic method without concentrating", or "make use of jargon that is incomprehensible", or "lose connection when relocating in between event halls". Yingmi, a company with 16 years of experience in the audio guide sector, really did not aim to supply a one-size-fits-all service. Instead, based on the variety of worlds, the intricacy of the space, and the distinctions in visitors' needs, it established a flexible and adaptable audio excursion service to help international visitors "discover, comprehend, and remember" in the vast collection of exhibitions, genuinely grasping the sparkle of human people

. The 3 "catches" that international visitors frequently fall into when checking out the Metropolitan Gallery
The Metropolitan Gallery is not an average gallery - it "actions" Egyptian burial places, European royal residences, and Eastern gardens right into the exact same building, with exhibits varying from the 3000 BC Sumerian ceramic containers to modern art from the 20th century. The period and variety of the exhibitions are so large that also several neighborhood visitors commonly obtain shed. After visiting, foreign visitors typically obtain stuck in three issues, which can not be addressed by merely "printing even more language tags":

1. Social differences: "Can see the icons, yet can not comprehend the story"
The exhibits of the Metropolitan Gallery have the "codes" of different people: the hieroglyphics on the Egyptian coffins, the patterns on Chinese blue and white porcelain, the geometric patterns on Islamic carpets, and the symbolic components on European spiritual paints. These signs are typically "familiar but not recognized" by foreign visitors. Typical led scenic tours either only supply standard details, such as "This is a Qing Empire dragon bathrobe", ying mi yet don't state "Five-clawed dragons stand for royal power, and four-clawed dragons are for the aristocracy"; or require the organization of tourists with acquainted cultures, such as describing the geometric patterns on Islamic carpets as "Comparable to European mosaics", which rather misleads the cognition.



More troublesome is the demand of tiny language speakers - among the abroad visitors of the Metropolitan Gallery, the proportion of non-English and Spanish speakers exceeds 30%. Japanese, Arabic, and German vacationers, usually lacking matching explanations, can just "think the story" in front of the exhibitions. A regional New York travel bureau data shows that annually, grievances about the audio trip at the Metropolitan Museum represent 65% of the comments from vacationers that "couldn't comprehend the cultural signs", and numerous visitors only keep in mind "seeing a great deal of old points", however don't understand "what human being these things stand for".

2. Massive collection: "Worn out from the excursion, can't understand the bottom lines" The Metropolitan Gallery has over 200 irreversible event halls.
If each exhibit is watched for 3 minutes, it would certainly take 27 years to check out all the collections - international site visitors typically have just 3-4 hours for their see, and they are prone to "choice anxiety": should they first see the Egyptian mummies, or most likely to the European painting location? Which should they focus on, the Chinese porcelain in the Eastern gallery or the Japanese ukiyo-e prints? The standard directed scenic tours either offer "chronological" paths, such as "1st flooring Egyptian gallery → second floor European gallery → third floor Oriental gallery", without advising based upon the site visitors' passions; or they explain all the exhibitions in each gallery, such as in the European painting area, from the Renaissance to the Impressionism, with excessive info making it hard to bear in mind, and ending up "tired yet absolutely nothing kept in mind





Much more importantly, the passions of different visitors vary substantially: some vacationers come particularly to photo Monet's "Water Lilies", but are led to watch half an hour of middle ages shield; some tourists wish to learn about old Egyptian civilization, but spend excessive time in the Greek event room.his "uniform description" makes it challenging for foreign site visitors to "grab the key points they intend to see" within the limited tim



3. Complex scenes ： "Can't listen to, experience obtains stu

"
The room scenes of the Metropolitan Gallery are much more complex than envisioned ： the Egyptian gallery has a dark below ground hall with dim illumination, making the message on the display boards difficult to review ； the floor-to-ceiling glass home windows in the European painting location reflect sunlight, interfering with the display of the overview device ； when going across floors or event locations, the signal is typically obstructed by thick walls - after finding out about the Egyptian mummies in the first floor gallery, when moving to the second floor European gallery, the overview tool instantly freezes, and by the time it resumes, they have missed the background introduction of "The Broken Arm Venus" ； at night hall, readjusting the guide device either results in pressing the incorrect button and jumping to the wrong web content, or the screen is too dark to see the operation clearly, also the "time out" needs a long time to {find|discover|l


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These "scene {freezes|ices up}" {directly|straight} {interrupt|disrupt} the {visiting|going to|checking out|seeing} rhythm, {especially|particularly|specifically} for {foreign|international} {visitors|site visitors} {who|that} are {new|brand-new} to the Metropolitan {Museum|Gallery} and {unfamiliar with|not familiar with} the {routes|paths|courses}, {coupled|combined|paired} with an unsmooth {guided|directed|assisted|led} experience, they are {likely|most likely} to {fall into|fall under|come under} a "{tired|exhausted|worn out|weary} and {confused|baffled|overwhelmed}"
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site visit
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II. Yingmi's {Solution|Service|Option|Remedy} ： "Not '{hardly|barely|rarely} {following|complying with|adhering to} {a template|a design template|a theme|a layout}', {but|however|yet} '{adapt|adjust} to the

cene'"
When Yingmi {designed|developed|created|made} the {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {plan for|prepare for} the Metropolitan {Museum|Gallery}, she {didn't|really did not} {start|begin} with {technical|technological} {parameters|specifications|criteria}, {but|however|yet} had the {team|group} {stay|remain|keep} there for {a full|a complete} week - {following|complying with|adhering to} {different|various} {national|nationwide} {tourists|travelers|vacationers|visitors} to {follow|comply with|adhere to} the {routes|paths|courses}, {recording|tape-recording|taping|videotaping} where {visitors|site visitors} {stayed|remained} the {longest|lengthiest} in which {types of|kinds of|sorts of} {exhibits|exhibitions|displays}, in which scenes they were most {confused|baffled|overwhelmed}, and which {civilization|world|people|human being} {symbols|signs|icons} they were most {curious|interested} {about|regarding|concerning}. {Finally|Lastly|Ultimately}, the {plan|strategy} {presented|provided|offered} was all {based on|based upon} these "{real|genuine|actual} {needs|requirements|demands}", without "one-size-fits-all" {equipment|devices|tools} {recommendations|suggestions|referrals}, {only|just} "{tailored|customized} {solutions|services|options|rem
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s}".

1. Collection {selection|choice|option} ： "Not 'cover {everything|whatever|every little thing}', {only|just} '{select|choose|pick} the {key points|bottom

ines}'"
For the "{choice|option|selection} {anxiety|stress and anxiety|anxiousness}" of the {massive|huge|enormous|large|substantial} collection, Yingmi's {plan|strategy} {doesn't|does not} {pursue|go after|seek} "{all-encompassing|all-inclusive|comprehensive} {coverage|protection|insurance coverage}", {but|however|yet} {helps|assists|aids} {tourists|travelers|vacationers|visitors} "{precisely|exactly|specifically} {locate|find|situate} their {interests|rate of interests|passi
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{Personalized|Customized|Individualized} {route|path|course} {recommendations|suggestions|referrals} ： The {plan|strategy} {will|will certainly} {recommend|suggest|advise} {different|various} {routes|paths|courses} {based on|based upon} the {type of|kind of|sort of} {visitor|site visitor} (art {lovers|enthusiasts|fans}, {history|background} {enthusiasts|lovers|fanatics}, {family|household|family members} {tourists|travelers|vacationers|visitors}) - for art {lovers|enthusiasts|fans}, it {recommends|suggests|advises} "European {painting|paint} {area|location} (Monet, Rembrandt) + {modern|contemporary|modern-day} art {area|location} (Picasso)" ； for {history|background} {enthusiasts|lovers|fanatics}, it {recommends|suggests|advises} "Egyptian gallery ({mummies|mommies}, {temple|holy place} {reliefs|alleviations}) + American gallery (Maya {civilization|world|people|human being})" ； for {family|household|family members} {tourists|travelers|vacationers|visitors}, it {recommends|suggests|advises} "{children|kids|youngsters}'s interactive {area|location} + Egyptian gallery ({exhibits|displays|shows} with {strong|solid} {visual|aesthetic} {impact|effect|influence})", each {route|path|course} is {marked|noted} with "{key|essential|crucial|vital} {exhibits|exhibitions|displays} + {recommended|suggested|advised} {stay|remain|keep} time", to {avoid|prevent|stay clear of} {tourists|travelers|vacationers|visitors} "{wasting time|losing time} aimlessly {browsing|searchi
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ng}".



{Key|Secret|Trick} {Exhibits|Exhibitions|Displays} Deep Dive: For the "{treasures|prizes} of the collection" of the Metropolitan {Museum|Gallery} (such as "The Broken Nefertiti", the {Temple|Holy place} of Dendara in Egypt, and the Yongle Imperial {Dictionary|Thesaurus} of China), the {explanation|description} {content|material|web content} {will|will certainly} be {more|much more|a lot more|extra} {in-depth|extensive|thorough|comprehensive}. {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} the {Temple|Holy place} of Dendara, it {will|will certainly} be {said|stated|claimed}, "This is {a gift|a present} from the Egyptian {government|federal government} to the {United States|USA}. It was {originally|initially} {located|situated} {beside|next to|close to} the Nile River and was {moved to|transferred to|relocated to} the Metropolitan {Museum|Gallery} to {avoid|prevent|stay clear of} being {submerged|immersed} by water. The {reliefs|alleviations} in the {temple|holy place} {record|document} the {ancient|old} Egyptian's sacrificial {rituals|routines}." {Instead of|Rather than|As opposed to} {simply|just|merely} {saying|stating|claiming} "This is {an ancient|an old} Egyptian {temple|h
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e}.".



Lightweight {Information|Info|Details} {Presentation|Discussion}: {Avoid|Prevent|Stay clear of} "{information|info|details} {bombardment|barrage}". Each {exhibit|exhibition|display}'s {explanation|description} is {controlled|managed|regulated} within 1-2 {minutes|mins}, {only|just} {focusing on|concentrating on} "{the most|one of the most} core civilizational {values|worths} + {the most|one of the most} {interesting|fascinating|intriguing} {details|information}" - {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} Monet's "Water Lilies", it {will|will certainly} {say|state|claim}, "Monet's eyes were poor in his later years, {but|however|yet} he {used|utilized|made use of} {colors|shades} to {express|reveal|share} the light and {shadow|darkness} of the {pond|fish pond} at {different|various} times. This is {a representative|a depictive} {example|instance} of Impressionism's '{capturing|catching|recording} the {beauty|charm|appeal|elegance} of the {moment|minute}'." {Don't|Do not} {talk|speak|chat} {too much|excessive|way too much} {about|regarding|concerning} art {history|background} {theories|concepts}, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {easily|quickly|conveniently} {grasp|understand|comprehend|realize} the {key points|b
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m lines}.

2. Scene {Adaptation|Adjustment}: "Not '{stacking|piling} {technologies|innovations|modern technologies}', {but|however|yet} '{solving|resolving|fixing|addressing} {problems|issues

roubles}'".
For the {complex|complicated|facility} spatial {scenarios|situations|circumstances} of the Metropolitan {Museum|Gallery}, Yingmi's {solution|service|option|remedy} {focuses on|concentrates on} "{solving|resolving|fixing|addressing} {practical|useful|functional|sensible} experience {problems|issues|troubles}". {Recommended|Suggested|Advised} scenario-based {solutions|services|options|re
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are:.



Dark Hall Scene Optimization: For {replicas|reproductions} of Egyptian {tombs|burial places}, European {medieval|middle ages} {exhibition|exhibit|event} halls, {etc|and so on}, the {recommended|suggested|advised} {explanation|description} {solution|service|option|remedy} is "{automatic|automated} light {sensing|noticing|picking up} +voice control" - The {screen|display} will {automatically|immediately|instantly} {brighten|lighten up} according to the light, the {buttons|switches} {will|will certainly} have a soft backlight, and {tourists|travelers|vacationers|visitors} can {operate|run} without {having to|needing to} stand close; it {also|likewise|additionally} {supports|sustains} voice commands, {for example|for instance|as an example}, "{Explain|Discuss|Describe|Clarify} this {mummy|mommy}", the system will {automatically|immediately|instantly} match the {content|material|web content}, {avoiding|preventing|staying clear of} "{fumbling|stumbling|messing up|screwing up} {in the dark|at night} to {press|push} {buttons|switches}" {in the dark|at night} {ar
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ion}.



Cross-Zone Signal {Stability|Security}: For the many {floors|floorings} and thick {walls|wall surfaces} of the Metropolitan {Museum|Gallery}, {traditional|conventional|standard|typical} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are prone to "{disconnection|interference} {across|throughout} {zones|areas}". The {solution|service|option|remedy} {adopts|embraces|takes on} 4GFSK anti-interference {technology|innovation|modern technology}, {setting|establishing} "signal {transition|shift|change} nodes" {between|in between} {exhibition|exhibit|event} halls, {so that|to ensure that|to make sure that} the signal will {automatically|immediately|instantly} {switch|change|switch over} when {tourists|travelers|vacationers|visitors} {walk|stroll} from the Egyptian {exhibition|exhibit|event} hall to the European {exhibition|exhibit|event} hall, without the {need|requirement|demand} to {manually|by hand} reconnect; for {group|team} {tourists|travelers|vacationers|visitors}, the {recommended|suggested|advisable|preferred} {group|team} {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {solution|service|option|remedy} has a signal {coverage|protection|insurance coverage} {range of|variety of|series of} 280 meters, even if {tourists|travelers|vacationers|visitors} {are in|remain in} {different|various} {corners|edges} of the {exhibition|exhibit|event} hall, they can {hear|listen to} the {tour guide|tourist guide} {clea
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nly}.



{Long|Lengthy} Battery Life and Lightweight: {Considering|Thinking about|Taking into consideration} that the {average|typical|ordinary} {visiting|going to|checking out|seeing} time for {foreign|international} {tourists|travelers|vacationers|visitors} at the Metropolitan {Museum|Gallery} {is about|has to do with} 4 hours, the {equipment|devices|tools} in the {solution|service|option|remedy} {supports|sustains} 12 hours of {continuous|constant|continual} battery life, and is {equipped|geared up|furnished|outfitted} with {a portable|a mobile} charging box, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {quickly|rapidly|swiftly|promptly} {recharge|charge|reenergize} in the {rest|remainder} {area|location}; the {equipment|devices|tools} {weighs|evaluates|considers} less than 100 grams, which is {not difficult|easy|simple|uncomplicated} to {hang around|spend time} the neck or {put in|placed in} the pocket, and it {won't|will not} be tiring after {a whole|an entire} day of {visiting|going to|checking
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|seeing}.

{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|site
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tors}. 1.

{Conclusion|Final thought|Verdict}: {Let|Allow} the "{civilization|world|people|human being} {stories|tales}" of the Metropolitan {Museum|Gallery} be {understandable|reasonable|easy to understand} to every {tourist|traveler|vacatio

r|visitor}.
The {charm|appeal|beauty} of the Metropolitan {Museum|Gallery} {lies|exists} not in "{how many|the number of|the amount of} old {objects|items|things} are {stored|kept|saved}", {but|however|yet} in it being "the crossroads of human {civilization|world|people}" - {Here|Right here|Below}, you can see the {priest|clergyman}'s {coffin|casket} of {ancient|old} Egypt and the Chinese blue and white porcelain {communicating|interacting|connecting} with each other in mid-air, and see European {religious|spiritual} {paintings|paints} and Islamic {carpets|rugs|carpetings} sharing the {same|exact same|very same} {building|structure}. For {foreign|international} {tourists|travelers|vacationers|visitors}, coming {here|right here|below} is {not for|except} "taking {photos|pictures|images} for {posting|publishing|uploading}", {but|however|yet} to {find|discover|locate} {stories|tales} that can touch them {among|amongst} {different|various} {civilizations|worlds|people|h
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ngs}.



Yingmi's Metropolitan {Museum|Gallery} voice-guided {tour|trip|excursion|scenic tour} {solution|service|option|remedy} does not {involve|include|entail} {fancy|elegant|expensive} {functions|features}, {but|however|yet} {rather|instead} {focuses on|concentrates on} "{helping|assisting|aiding} {tourists|travelers|vacationers|visitors} {understand|comprehend|recognize} the {symbols|signs|icons} of {civilization|world|people|human being}, find the key {points|factors} of the {visit|go to|check out|see|browse through}, and {solve|resolve|fix|address} scene {problems|issues|troubles}". It {is like|resembles} a "Know the {culture|society}, {know|understand|recognize} the {tourists|travelers|vacationers|visitors}" {guide|overview}, holding the hand of {foreign|international} {tourists|travelers|vacationers|visitors}, {interpreting|translating|analyzing} hieroglyphics in the Egyptian {exhibition|exhibit|event} hall, {distinguishing|differentiating|identifying} light and {shadow|darkness} {styles|designs} in the European {exhibition|exhibit|event} hall, and {understanding|comprehending|recognizing} porcelain patterns in the {Asian|Oriental|Eastern} {exhibition|exhibit|event} hall, {allowing|enabling|permitting} every {tourist|traveler|vacationer|visitor} to {find|discover|locate} the "{civilization|world|people|human being} {stories|tales}" they can {understand|comprehend|recognize} and {remember|keep in mind|bear in mind} {among|amongst} the {vast|large|huge|substantial
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{After all|Besides|Nevertheless}, {good|great|excellent} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are not "{instructing|advising} {information|info|details}", {but|however|yet} "{opening|opening up} a door" - What Yingmi did is to {help|assist|aid} {foreign|international} {tourists|travelers|vacationers|visitors} open this door, making the 5,000-year {civilization|world|people|human being} of the Metropolitan {Museum|Gallery} {no longer|no more} be "{ancient|old} {relics|antiques}" that are {distant|far-off|remote}, {but|however|yet} {exciting|interesting|amazing} {things|points} {within reach|accessible|available}.